Sui Generis Series
Shop our vast selection in the collection of our Sui Generis (non-gun) Series
SPOT OF SILVER
Combine painting-acrylic and mixed media utilizing .925 sterling silver
30 x 24 in. (76.2 x 60.9 cm)
Cool, airy tones dominate the ground, with soft blues and mint greens creating an open, almost atmospheric field. These are punctuated by sharper intrusions of saturated color—deep reds, bright yellows, and darker blues—that interrupt the calm and redirect the eye. Hidden within the painting an entity can be deciphered. The balance between these hues creates a push-and-pull effect, where no single area holds dominance for long.
SPOT OF SILVER
Combine painting-acrylic and mixed media utilizing .925 sterling silver
30 x 24 in. (76.2 x 60.9 cm)
Spot of Silver unfolds as a layered construction of intersecting planes and directional lines, where movement and structure coexist in a state of quiet tension. Angular forms—rendered in saturated reds, greens, yellows, and cool blues—cut across a soft, atmospheric ground, creating a composition that feels both architectural and fluid. The geometry suggests a fragmented spatial system, with shifting perspectives that refuse to settle into a single fixed orientation.
POCKET CAMERA
Acrylic and mixed media on canvas with mounted sculpture.
24 x 18 in. (60.9 x 45.7 cm)
Pocket Camera explores the intersection of surveillance, memory, violence, and technological nostalgia through the fusion of sculptural assemblage and minimalist geometric abstraction. At the center of the composition, a revolver and vintage pocket-sized camera are physically merged into a single hybrid object, transforming two distinct mechanisms — one associated with documentation and the other with force — into a unified symbolic form.
RED STOCK
Acrylic and mixed media on canvas.
30 x 24 in. (76.2 x 60.9 cm)
Embedded throughout the angular structure are abstracted silhouettes suggestive of rifle stocks and firearm components, partially concealed within the composition’s overlapping planes. These forms are intentionally fragmented and obscured, functioning less as literal representations and more as symbolic remnants embedded within the language of abstraction. By reducing recognizable objects into geometric shards and outlines, the work examines how cultural symbols persist even after being visually dismantled.
SHATTERED SOVEREIGNTY
Combine painting-acrylic and mixed media with elements of pop art
30 x 24 in. (76.2 x 60.9 cm)
In Shattered Sovereignty, fragmented geometry and figurative imagery intersect to explore themes of authority, identity, and the fragile nature of power. At the heart of the composition, three human forms appear suspended within a web of intersecting lines and fractured planes, their outlines simultaneously emerging from and dissolving into the surrounding structure. Their raised arms suggest triumph, burden, resistance, or ritual, leaving their narrative deliberately open to interpretation.
BORN TO RIDE
Combine painting-acrylic and mixed media with elements of pop art; mounted through canvas to frame using .38 Special Casings as rivets.
30 x 24 in. (76.2 x 61 cm)
The striking, high-end mixed media artwork merges the raw energy of American motorcycle culture with bold pop art aesthetics. A clock bell acts as a brilliant focal point drawing the viewer in. In Born to Ride, the familiar silhouette of a motorcycle is transformed into a dynamic abstract composition where speed, freedom, and mechanical ingenuity converge. Angular planes of color intersect and overlap within the machine’s profile, creating a sense of motion even in stillness. The motorcycle emerges from a network of geometric forms, its contours simultaneously concealed and revealed through layers of line, shape, and transparency.
Combine painting-acrylic with raised texture with .925 sterling silver superimposed alluding to objects
Inspector Cousterling is an allegorical abstraction of hidden entities. Allowing to be interpreted in a deeper approach, one can attempt to bring to light the hidden figures, obstructed within the piece. As referenced in the title it can be observed the subtle resemblance to the notorious character Inspector Cousteau displayed in the upper right. Displayed initially as an abstract shape, the green form centered in the composition can be appreciated as an uncanny portrayal of an outstretched hand. The hands pointing gesture is reinforced by the .925 sterling silver representation of a ring and fingernail. Other forms within the piece disguise faces and figures, hidden within the delineated forms portrayed.
ISOSCELES MASS VALUATION
Combine painting-acrylic, mixed media, and .925 sterling silver on canvas
36 x 24 in. (91.4 x 61 cm)
Isosceles Mass Valuation is an amalgamation of trigonometric isosceles triangles and varied other polygons, as well as UFO saucer discs of .925 sterling silver. Converging perspective lines use a loose approach to the traditional practice of point of view beyond a traditional horizon or vanishing point. Warm saturated hues and values function to strengthen and accentuate the eyes gravitation to both the reflective .925 sterling, as well as the focal horizon point. The piece gives a strongly ethereal feeling to the viewer and insinuates an unearthly, celestial setting. Abstract phonetic-like forms, positioned in a triangulation add to the use of isosceles triangles while further reinforcing the converging perspective lines to a further raised, untraditional vanishing point.
K925
Combine painting-acrylic and mixed media with repurposed .925 sterling silver
30 x 30 in. (76.2 x 76.2 cm)
Using geometric imposition and clean, defined borders K925 portrays an organic, terrestrial composition. Vibrant, saturated hues of red hint at a humoral theme. Brass knuckles in the focal point act to infer a relation to cause of the humoral segments, and an underlying theme of violence and malevolence. Off centered quadrilaterals wood grained interior texture strengthen the organic message of the piece.
FOCUS
Combine painting-acrylic, and mixed media on canvas
36 x 20 in. (91.4 x 50.8 cm)
The title Focus becomes both directive and paradox. While the composition clearly guides the viewer’s attention inward, it also resists singular interpretation, dispersing meaning across layers of movement, structure, and interruption. At the core, a subtle focal nexus emerges—not as a single object, but as a convergence of tension. The eye is drawn to this central intersection, where the structured geometry and expressive marks collide most intensely. Rather than clarifying the composition, this focal point amplifies its complexity, emphasizing the difficulty of isolating a single point of meaning within a dense field of information.
SHATTERED SOVEREIGNTY
Combine painting-acrylic and mixed media with elements of pop art
30 x 24 in. (76.2 x 60.9 cm)
In Shattered Sovereignty, fragmented geometry and figurative imagery intersect to explore themes of authority, identity, and the fragile nature of power. At the heart of the composition, three human forms appear suspended within a web of intersecting lines and fractured planes, their outlines simultaneously emerging from and dissolving into the surrounding structure. Their raised arms suggest triumph, burden, resistance, or ritual, leaving their narrative deliberately open to interpretation.
CARIBBEAN GUITAR
Combine painting-acrylic, mixed media, affixed checkered grip, and .925 sterling silver on canvas
36 x 24 in. (91.4 x 61 cm)
Caribbean Guitar, a cubism take on interlocking planes with an avant-garde approach, unifies the motifs of music, accuracy, and craftsmanship. Alluding to the exactitude required of gunsmithing, and to luthier both objects depicted, it plays on the theme of sound and timbre. With the inherent association of music to unification, it alludes to the form and function of the long barrel assisting in the reduction of muzzle flash conjoined with the guitars produced delicate timbre. Sterling silver used to represent the position markers along the fret board function to aggrandize the theme of craftsman ship collating the individual aspects into a collective composition.
THERE’S A NEW CLOWN IN TOWN
Combine painting-acrylic and mixed media with raised texture, and a tin badge.
36 x 24 in. (91.4 x 60.9 cm)
In There's a New Clown in Town, abstraction, symbolism, and social commentary converge to create a work that examines the distinction between genuine authority and its imitation. Dominated by warm oranges, golds, and flashes of vibrant blue, the composition radiates energy and uncertainty, drawing the viewer into a layered visual landscape where meaning emerges gradually through color, texture, and form.
At the center of the composition, a sheriff-style badge appears suspended within an abstract environment, serving as the painting’s symbolic focal point. Rather than functioning as a representation of legitimate law enforcement, the badge is paired conceptually with the title’s reference to a “clown,” creating an allegory for individuals who falsely present themselves as figures of authority. The work alludes to the criminal act of impersonating law enforcement, in which a person adopts the appearance or symbols of official authority without possessing the legal responsibility, training, or legitimacy that such authority requires.