PULL
Combine painting-acrylic and mixed media utilizing .925 sterling silver
30 x 22 in. (76.2 x 55.8 cm)
This piece builds itself around a fractured geometry of repeated triangular forms, loosely echoing an isosceles framework while resisting strict mathematical order. Thin, hand-drawn lines radiate and converge across the surface, creating a sense of tension between structure and spontaneity. Rather than resolving into a single fixed vanishing point, the perspective feels suspended, pulled inward toward a central seam that acts more like a rupture than a horizon. At the core, darker gestural forms emerge ambiguous, almost mechanical or skeletal in appearance. They read as both constructed and eroded, as if partially revealed through abrasion or time. These central marks anchor the composition while also disrupting it, pushing against the surrounding symmetry.
PULL
Combine painting-acrylic and mixed media utilizing .925 sterling silver
30 x 22 in. (76.2 x 55.8 cm)
This piece builds itself around a fractured geometry of repeated triangular forms, loosely echoing an isosceles framework while resisting strict mathematical order. Thin, hand-drawn lines radiate and converge across the surface, creating a sense of tension between structure and spontaneity. Rather than resolving into a single fixed vanishing point, the perspective feels suspended, pulled inward toward a central seam that acts more like a rupture than a horizon. At the core, darker gestural forms emerge ambiguous, almost mechanical or skeletal in appearance. They read as both constructed and eroded, as if partially revealed through abrasion or time. These central marks anchor the composition while also disrupting it, pushing against the surrounding symmetry.
