CONCEALED KERRY
Acrylic and mixed media on canvas, incorporating resin and .38 Special Casings.
30 x 24 in. (76.2 x 61 cm)
Through its fusion of hieroglyphic aesthetics, geometric abstraction, and symbolic figuration, Concealed Kerry exists between artifact and apparition, balancing modern cultural tension with the timeless visual language of myth, ritual, and encoded identity. The elongated central form recalls the visual structure of ancient Egyptian hieroglyphics or ceremonial relief carvings, being held up by .38 special casings. Suspended beneath a translucent surface and framed by rigid geometric borders, the figure appears artifact-like — as though excavated from an imagined archaeological context. This presentation transforms the subject from a contemporary object into something symbolic and timeless, suggesting the way societies encode power, identity, gender, and violence into visual language across generations.
CONCEALED KERRY
Acrylic and mixed media on canvas, incorporating resin and .38 Special Casings.
30 x 24 in. (76.2 x 61 cm)
Through its fusion of hieroglyphic aesthetics, geometric abstraction, and symbolic figuration, Concealed Kerry exists between artifact and apparition, balancing modern cultural tension with the timeless visual language of myth, ritual, and encoded identity. The elongated central form recalls the visual structure of ancient Egyptian hieroglyphics or ceremonial relief carvings, being held up by .38 special casings. Suspended beneath a translucent surface and framed by rigid geometric borders, the figure appears artifact-like — as though excavated from an imagined archaeological context. This presentation transforms the subject from a contemporary object into something symbolic and timeless, suggesting the way societies encode power, identity, gender, and violence into visual language across generations.
